Salem, 1692. A fictional memoir in the voice of Isolde Nightthorne — a healer whose knowledge of herbs and refusal to disappear quietly make her a target as the accusations begin. Told in diary fragments from inside the year the trials consumed, it follows the women the hunts were really about: the widow, the beggar, the outcast, the one who knew too much. It reads the witch hunt not as superstition but as a machinery for controlling female agency and silencing female voices — staying close to the cold, the fear, and the ordinary cruelty of neighbours. A companion to the archive's analytical work: the same question about who power lets in and who it burns, written from the inside.
Lowering the price of a Veblen good does not expand access to the luxury. It destroys the luxury.The Witches They Didn't Burn
The discount does not give more people access to the dream. It cancels the dream for everyone, including the people who paid full price.The Witches They Didn't Burn
And in luxury, the experience of the product is the product.The Witches They Didn't Burn
The next edition, when it's ready — no schedule, no list.